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Dada Charms by Jenifer Renzel

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Dada Charms by Jenifer Renzel

One definition of a charm is a verbal formula believed to have magical force. New paintings and assemblages by Jenifer Renzel explore the notion of a purely visual charm invoked by combining disparate images, parts, and mediums. If you are intrigued, confused, or disconcerted by a piece, the charm worked.

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From Within by Nadja Martens

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From Within by Nadja Martens

Painting is relaxing and meditative to me–it calms my mind and is a source of contentment & joy. This work is an expression of this experience and I wish it may spark some of that joy wherever this art will be. ~Nadja Martens

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Paradigm Shift by Steven Michael Borelli

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Paradigm Shift by Steven Michael Borelli

New works created in a host of media during a hyperactive hallucinogenic fever dream of creativity and imagination. Steven Borelli has been drawing since he was a fetus. The inside of his mother's womb is tattooed with the product of his blossoming visions. Today, between fever dreams and feeding his cat, Borelli is still an artist. Doing arty things. For art's sake.

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Art is Life and Only Life by Gianfranco Paolozzi

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Art is Life and Only Life by Gianfranco Paolozzi

Gianfranco was born in a small Italian village in 1952. He has always been an artist and musician; he remembers drawing and creating art from as early as preschool and received his prized accordion at the age of 9 (which he continues to play while performing with his Paolozzi Tango Trio)

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Fruit and Mammals by Denis Korkh

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Fruit and Mammals by Denis Korkh

There is nothing that could unite Fruit And Mammals together except their squareness; 3 x 3 feet each, spaced 3 feet apart, and that I made them in sequence. And that I made them. Each painting is a stray thought (with layers and layers of more thoughts underneath) and the layers are no more related than the five paintings are between each other. I start by making the canvas as ugly as possible: the worst colours, awful–seriously awful– lines and shapes. I make the grossest compositions until I reach a point where, no exaggeration, it is hard to bear to look at them; I truly cringe inside. Each painting went through this between two and six times before I let it become finished. ~Denis Korkh

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